The usual and other hardy souls arrive to spend four days of outdoor painting in Charlevoix, Qc. There is plenty of subject matter for all taste; villages, woodlots, cattle or horses, the waters of St. Lawrence, and the mountainous terrain near Les Grands Jardins ( Fr.) or (Eng.) Home base is the Auberge de Nos Aïeux in Les Éboulements where we are welcomed with great food, a view of L’Isle -aux-Coudre, le Massif and the ferry crossing at Saint Joseph-de-la-Rive.
Stuart Main, Catching the Warm Sun, oil, 2015
Stuart Main, Allison Robichaud and Catherine Young Bates have for years outsmarted us. They know the best places to paint, how to prevent frostbite and very important where to park our cars so as not to be wiped out by logging trucks.
Catherine Young Bates, oil, www.cybates.com
No Venezia sketchbook this time. I bring my easel, a wide mouthed thermos for water, watercolour sheets, a metal palette and a few brushes. After setting up, I leave most of my gear in the warm car except a mechanical pencil and paper. The sketching precedes fast and I fetch the other essential tools. Then I put my first wash on to see jack frost playing on my paper so a higher angle catches the hot sun rays. Then granular ice particles start forming on my palette but the sketch is finished.
Linda Denis, Baie-Saint-Paul the Three Spirals, watercolour, 2015
A special thanks to Daniel Brunet, who works at the desk of the Auberge. He is a local artist who keeps his studio open year round and enjoys the company of other artists. Juan Cristobal, another full time Charlevoix artist and teacher takes time out to paint with us. We appreciate his reminder to pay attention to where we park. Knock on the door, if you wish to paint close to a farm yard or residence and a 99% warm welcome is a certainty.
Some more watercolours from my paint out in Charlevoix, Qc
View down hill to Saint-Iréneé,Qc
Municipalité Saint-Hilarion, Qc
Quai at St. Iréneé, Qc